Odds and Ends
Intro (more or less)
Intro (more or less)
C# F# C# Well it's always beenmy nature to take chances G# C# My right hand drawing back while my left hand advances F# C# Where the current is strong and the monkey dances G# To the tune of a concertina Blood drying in my yellow hair as I go from shore to shore I know what it is that has drawn me to your door But whatevercould it be makes you think you've seen me before Angelina F# C# G# Oooh-oh, Angelina F# C# G# Oooh-oh, Angelina
G Am You got a lotta nerve C G To say you are my friend G D When I was down C Em D You just stood there grinning You got a lotta nerve To say you gota helping hand to lend You just want to be on The side that's winning You say I let you down You know it's not like that If you're so hurt Why then don't you show it You say you lost your faith But that's not where it's at You had no faith to lose And you know it I know the reason That you talk behind my back I used to be among the crowd You're in with
E Well, she's got Jet Pilot eyes from her hips on down. All the bombardiers are trying to force her out of town. She's five feet nine and she carries a monkey wrench. She weighs more by the foot than she does by the inch. A7 E She got all the downtown boys, all at her command B7 But you've got to watch her closely 'cause [n.c.] E she ain't no woman, she's a man
D7 I got mixed up confusion G Man, it's a-killin' me Well, there's too many people And they're all too hard to please Well, my hat's in my hand Babe, I'm walkin' down the line An' I'm lookin' for a woman Whose head's mixed up like mine Well, my head's full of questions My temp'rature's risin' fast Well, I'm lookin' for some answers But I don't know who to ask But I'm walkin' and wonderin' And my poor feet don't ever stop Seein' my reflection I'm hung over, hung down, hung up!
G Well, the rainman comes with his magic wand And the judge says, "Mona can't have no bond." And the walls collide, Mona cries, D(7) . . . . . . . G And the rainman leaves in the wolfman's disguise. C I wanna be your lover, baby, I wanna be your man. I wanna be your lover, baby, G I don't wanna be hers, I wanna be yours. Well, the undertaker in his midnight suit Says to the masked man, "Ain't you cute!" Well, the mask man he gets up on the shelf
G G C/g G C/g D He sits in your room, his tomb, with a fist full of tacks Am G Preoccupied with his vengeance G Bm Am D Cursing the dead that can't answer him back Am C you know that he has no intentions D Of looking your way, unless it's to say Am C D (Dsus2) That he needs you to test his inventions.
G C D Oh, crawl out your window G C D
G [n.c.] C Nothing was delivered G And I tell this truth to you, D Not out of spite or anger G (C/g G) But simply because it's true. [n.c.] C Now, I hope you won't object to this, G Giving back all of what you owe, D The fewer words you have to waste on this, G (C/g G) The sooner you can go.
[n.c.] Em G Nothing is better, nothing is best,
C C Well, that big dumb blonde F With her wheel of gorge C And Turtle, that friend of theirs G With his checks all forged C And his cheeks in a chunk F With his cheese in the cash C They're all gonna be there G C At that million dollar bash
Am F C Ooh, baby, ooh-ee Am F C Ooh, baby, ooh-ee G6 C It's that million dollar bash
Ev'rybody from right now To over there and back The louder they come
A A I pulled out for San Anton', D I never felt so good. A My woman said she'd meet me there D And of course, I knew she would. A The coachman, he hit me for my hook D And he asked me my name. A I give it to him right away, D And I hung my head in shame.
A Lo and behold! Lo and behold! D Lookin' for my lo and behold, C G A Get me outa here, my dear man!
I come into Pittsburgh At six-thirty flat. I found myself a vacant seat An' I put down my hat.